CANCELED: MICHAEL KIWANUKA with Cloves

Event Cancelled: Michael Kiwanuka regretfully announces the cancelation of his entire North American tour. Tickets to be refunded at point of purchase.

89.3 The Current, First Avenue, and Live Nation Present

CANCELED: MICHAEL KIWANUKA with Cloves

Sun, December 4, 2016

Doors: 7:00 pm / Show: 8:00 pm

Cedar Cultural Center

Minneapolis, MN

$18 Advance / $20 Day of show

Cancelled

This event is all ages

Michael Kiwanuka regretfully announces the cancelation of his entire North American tour, tickets to be refunded at point of purchase. He has vocal damage and has been diagnosed with tonsilitis and under doctor’s orders, is unable to perform.

 

Michael Kiwanuka
Michael Kiwanuka
With Michael Kiwanuka, it’s all about the voice. A voice that he describes as “hitting straight through to the core” with direct, emotional songs about love, yearning, comfort and belonging. It’s a voice that built him a following via MySpace and small London gigs, and led Paul Butler from The Bees to invite him to the band’s Isle of Wight studio to lay down these introductory tracks from what promises to be a major new British singer/songwriter. Which makes it all the more strange, really, that what Michael originally set out to be was a session guitarist who maybe wrote the odd song for other people.

Growing up in North London, he struggled at times to see where he fitted in. An avid England and Spurs fan, he found it hard to imagine a day when a name like Kiwanuka could sit comfortably on the back of a football shirt here. Nonetheless, when his parents took him and his brother back to Uganda to visit family, he and his brother were immediately recognised as British tourists. Like most of his schoolmates, he liked bands like Nirvana, Radiohead, Offspring and Blur, but it was only when he discovered that Jimi Hendrix was black that he understood he had a place playing rock guitar.

In his teens, two other icons helped him find his voice. A friend gave him a Bob Dylan box set, and Michael was bowled over by the power of a well-crafted song, delivered with just urgent vocals and an acoustic guitar. Later, he was playing the free CD that came with a music magazine and heard an out-take of ‘Sitting on the Dock of the Bay’ in which Otis Redding was talking to the studio engineer. It made the soul icon seem more human, more accessible, and though there were later to be other influences from Bill Withers and Terry Callier to John Martyn and Laura Marling, it was Dylan and Redding who laid the foundations for Michael’s own rootsy, folk-inflected modern soul.

He played in rock bands at school, and when he was 16 went east to Hackney in search of other musicians to work with. He began hanging out with Tinie Tempah collaborator Labrinth at his studio, played contemporary R&B, soul and jazz-funk at small jam sessions, and did some session guitar for the likes of Tottenham rapper Chipmunk. “It was fun and I learned loads, but I still felt like I didn’t quite fit in. I couldn’t express the side of me that had played in rock bands, or listened to Dylan or Nirvana.”

He began writing his own songs quietly at home, just for fun. They weren’t meant for other people to hear – at least not at first. “No one would give me a gig playing the kind of music I loved, so I had to write my own. It was more to keep my passion in music alive, just something to do to keep my soul warm, you know. It didn’t fit into what was in the charts at the time!”

Eventually, he recorded demos of a few songs, hoping to give them to others to perform. But he was surprised to find that people loved his voice, and began encouraging him to play small shows. And finally, he found his place in the world. “I love singing live, the feeling when you really connect with an audience, when suddenly there’s a hush and you can feel it in the air. It doesn’t happen all the time, but when it does, it’s really special.”

This debut EP was produced by Paul Butler of The Bees, in the band’s Isle of Wight studio. “I’d just been playing my songs with an acoustic guitar, and that will always be the core, the thing I come back to. But Paul also encouraged me to mix in the kind of music I was playing when I was hanging out in Hackney, so I got to play a bit more electric, and a bit of bass, and it turned out to be quite a soulful record. It’s got folk things there but also influences like Shuggie Otis and Curtis Mayfield. I really enjoyed making it.”

Tell Me A Tale, I Need Your Company and Worry Walks Beside Me are timeless songs that could only have come from Britain in 2011. Real, raw and achingly beautiful, they are just a taste of what is to come.
Venue Information:
Cedar Cultural Center
416 Cedar Ave S
Minneapolis, MN, 55454
http://www.thecedar.org/

ticinfo

Ticket options and info

PLEASE NOTE: Tickets are not always available at Depth of Field, Electric Fetus & The Cedar.

Check the top of this page under the “Buy Tickets” button for up-to-date ticket information.

  • Phone: 612-338-2674 ext 0 between 12 noon and 4pm M-F ($2 fee per ticket)
  • In person: Tickets can be purchased at The Cedar when we are open for shows. Check our calendar for show dates and door times  (no fee; cash, check, credit card). Our other ticket outlets are Depth of Field (no fee; cash or check only), and Electric Fetus (approximately $2 fee).
  • Online: (typically $2–$3 fee/ticket) until 2 hours before door time on day of show
  • The Cedar is an all ages venue
  • Discounts: Students with ID, seniors over 65, and children under 12 may purchase tickets at a discount at the door (subject to ticket availability).
  • Access: The Cedar strives to make our facilities and programming available to as many community members as possible and will accommodate special requests to the best of our ability. To request special accommodations or seating at an upcoming Cedar show, please contact our box office at 612-338-2674 or info@thecedar.org.