The Very Best with DJ Danny Sigelman

Wednesday, May 26, 2010 - 7:30pm
7:00pm
$14.00
$16.00
Standing room only (special needs accommodated)

“Sunny, worldly pop delight.”—Time Out New York

The band The Very Best came together when Esau Mwamwaya first met Etienne Tron of European production duo Radioclit  in 2007 while haggling over a bicycle in the London second-hand furniture shop he ran near the duo’s studio. Following the exchange, Mwamwaya was invited to Tron’s house-warming party where he met the other half of Radioclit, Johan Karlberg. Esau was asked to come to Radioclit’s studio after he told Karlberg he was a drummer. It turned out Esau was a singer too and they decided to collaborate, combining Radioclit’s vast production experience and self-described “ghettopop” style—having produced and remixed tracks for the likes of M.I.A., Lily Allen, Justin Timberlake, Santigold, Britney Spears, TV On The Radio, David Banner, Buraka Som Sistema among others—with Mwamwaya’s emotive vocal approach. Karlberg dubbed Mwamwaya “the African Phil Collins,” and they have been recording songs together ever since.

The Very Best’s debut full-length Warm Heart of Africa was released last October on Green Owl to a very warm reception. The album follows the surprising global success of Esau Mwamwaya & Radioclit Are The Very Best, a free mixtape made available online late last year. Without promotional assistance or financial support, the collection of well-known pop, dance, afro and indie tracks remixed by Radioclit featuring Mwamwaya’s singing in Chichewa, Swahili, Portuguese and English charted more than 200,000 downloads and was hailed by tastemakers including Pitchfork, FADER, and Gorilla vs. Bear, among many others.

The Very Best is receiving critical acclaim for its high-energy live performances in the wake of its first U.S. tour, and their buzzworthy appearance at this year's SXSW. In a “Best New Music” track review of the first single “Warm Heart of Africa,” which features Vampire Weekend’s Ezra Koenig, Pitchfork describes Mwamwaya as “one of the most effortlessly lovable voices around.” Rolling Stone jokes, in its four-star review of the song, which contains an ELO reference in one lyric, “Somewhere Jeff Lynne is confused but happy.” LA Weekly calls the band “one of the best antidotes for LA traffic frustration.” San Francisco Bay Guardian warns, “Brace yourself for hazardous dance floor anthems well-fed on the homegrown African sounds of high-life and marabi, as well as bass-laden pop grooves from, well, all over the globe.” And, following the band’s New York City concert, GQ.com says, “We’re curious to see if the folks who swoon for Vampire Weekend’s Graceland-y rock and M.I.A’s revolution party beats will be ready to follow the music to its logical next step. We are.”

While The Very Best mixtape caught fire with Mwamwaya singing over remixes of Michael Jackson (I theme), Vampire Weekend (“Cape Cod Kwassa Kwassa”), Hans Zimmer (True Romance theme) and M.I.A. (“Paper Planes”), the full-length consists of original songs. For the recording, the band brings some guests on board: in addition to Vampire Weekend’s Koenig joining for “Warm Heart Of Africa,” M.I.A. is featured on “Rain Dance.”

The Very Best embodies a without-borders approach to music-making that could only happen in the 21st century.

DJ Danny Sigelman opens with a set of African tunes.

Tickets available now from the Cedar Ticketline (612-338-2674 ext 2), Cedar outlets, and online at Ticketweb.

The Very Best, photo by Dorothy Hong
Born out of the love of hip hop’s ethos to consistently push the boundaries forward by extrapolating what was unique about the past and what is radically refreshing about the future, Radioclit’s Etienne Tron and Johan Karlberg have teamed up with Malawian...
Danny Sigelman
Danny Sigelman has long been involved in Twin Cities radio and music. While studying at the University of Minnesota, he served as Music Director at Radio K - the University of Minnesota's college radio station -- and co-hosted its legendary "Off the Record...
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Major Funders

This activity is funded, in part, by the Minnesota State Arts Board through the arts and cultural heritage fund as appropriated by the Minnesota State Legislature with money from the Legacy Amendment vote of the people of Minnesota on November 4, 2008.Minnesota State Arts BoardThe McKnight FoundationTarget

This activity is made possible in part by a grant provided by the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature from the Minnesota arts and cultural heritage fund with money from the vote of the people of Minnesota on November 4, 2008