Global Roots 2009
BLK JKS
The BLK JKS, South African afro avant noise rock band. Childhood friends Linda and Mpumi grew up on the same block in Johannesburg’s East Rand, where they taught themselves guitar after Linda’s sister received one as a prize in church choir. Forming a band in 2003, early BLK JKS shows and recordings were remarkable for their stacks of guitar drone and head nodding beats, but it was with the addition of bassist Molefi and drummer Tsepang—both of Soweto—that BLK JKS began work with a fresh approach and plunged into its current universe of sound.
Forró in the Dark
For those who don’t already know, forró is the hip-swiveling, dancefloor-filling, rural party music of Brazil’s northeastern states. And Forró in the Dark is the collective of four New York-based Brazilian ex-pats –Mauro Refosco (zabumba drum and vocals) Davi Vieira (percussion and vocals) Guilherme Monteiro (guitar and vocals) and Jorge Continentino (pifano flute, sax and vocals) - who are updating this traditional sound for the 21st century.
“In Brazil, forró literally means party,” says Mauro. “It’s a gathering, a good time. The objective is to make people dance.” Which is exactly what Forro In The Dark have been doing since 2005 at their weekly residence at East Village nightspot Nublu, where their signature blend of down home forró and urban cool have made them one of the city’s must-see buzz bands.
Bajofondo
Bajofondo, formerly Bajofondo Tango Club, is a South American music band consisting of eight musicians from Argentina and Uruguay. The change in the name, more inclusive and with an immediate impact, mirrors the path Bajofondo’s music has followed.
Os Mutantes
When the members of the legendary “Tropicália” band Os Mutantes took the stage before an audience of thousands at the Hollywood bowl a few years back, it seemed one of the greatest secrets in modern music was finally out. The seminal band whose ethereal absurdist pop music had inspired so many prominent musicians since their breakup decades before, were back. This time the world seemed ready. Now this influential band has reemerged, revitalized in the wake of the release of their album Haih or Amortecedor on Anti-records.
Huun Huur Tu
The whistling of the high-mountain wind forms eerie overtones and postmodern statement. The repeated thrum of a string against wood and hide turns into a meditative, evocative figure straight from the avant garde. The descendents of isolated Siberian herdsmen make serious, strangely universal music out of some of the planets quirkiest acoustics.
The Tuvan acoustic quartet Huun Huur Tu prove that Tuvan music can take plenty of intelligent innovation. Using traditional instruments and drawing subtly on 20th-century composers, funky rhythms, and the palette of electronica, Huun Huur Tu transform ancient songs into complex acoustic compositions.
Watcha Clan
Watcha Clan are a French quartet that fuses together influences as diverse as its members' heritages. Drawing on North African, Spanish, Arabic, Hebrew, French, and modern electronic musical styles for inspiration, the Clan claim a nomadic ethic, calling no single style "home." Since their inception at the turn of the century, Watcha Clan's touring schedule and lifestyle have been as nomadic as their philosophy.
Written, Produced and Hosted by Executive Director Robert Simonds
