JULIEN BAKER with Half Waif and Petal (Solo)

First Avenue Presents

JULIEN BAKER with Half Waif and Petal (Solo)

Sat, October 21, 2017

Doors: 7:00 pm / Show: 8:00 pm

Cedar Cultural Center

Minneapolis, MN

$18 Advance / $20 Day of show

This event is all ages

This is a standing show with an open floor.

Tickets are ​only ​available​ through First Avenue​ online​ (click the "Buy Tickets" button above)​, at Electric Fetus, ​and The Cedar during shows.​

Julien Baker
Julien Baker
Julien Baker's solo debut, Sprained Ankle, was one of the most widely acclaimed works of 2015. The album, recorded by an 18-year-old and her friend in only a few days, was a bleak yet hopeful, intimate document of staggering experiences and grace, centered entirely around Baker's voice, guitar, and unblinking honesty. Sprained Ankle appeared on year-end lists everywhere from NPR Music to The AV Club to New York Magazine's Vulture.

With her new album, Turn Out The Lights (out Oct 27th via Matador Records), the now 21-year-old Baker returns to a much bigger stage, but with the same core of breathtaking vulnerability and resilience. From its opening moments -- when her chiming, evocative melody is accompanied by swells of strings -- Turn Out The Lights throws open the doors to the world without sacrificing the intimacy that has become a hallmark of her songs.
Half Waif
Half Waif
"Half Waif brims over with sounds: underwater echoes of Celtic melodies; mossy, blinking electronic soundscapes; the ultra- sad chord changes of 19th-century art music; and eternal, unending bhajans. A finely crafted glass menagerie of song..."
-Ben Seretan
Petal (solo)
Petal (solo)
This record is kind of the apology, the confession and the acceptance of the ways I've felt shame in my life and trying to share it with others,” explains Petal lead singer, Kiley Lotz, of their new album, Shame. The melodically driven, indie rock record draws influence from Death Cab For Cutie and Pedro The Lion. Each song has its own sound but with tight drums and forward vocals, the album is cohesive in a beautifully textured way. Though Petal has stayed true to the sound fans have come to appreciate from the previous released EP, Scout, in 2013, this record shows growth with heaviness in both sound and content.

Lotz took three years to write the songs on this record and wrote them all with the underlying theme of dealing with her mental illness and seeing how it affected those around her. Discovering through her writing that everyone has shame and guilt, she started to wonder if the world might be different if everyone were more open and willing to accept help. Camera Lens is the first song on the record and deals with just that, her acknowledgment and apology for not asking for help when she needed it most. But the record isn’t just a sad experience from beginning to end. Heaven and Photo Booth are both honest declarations of love and compassion for another person. Lotz shines with her ability to express her feelings in such real ways.

It comes as no surprise that Lotz is able to express her emotions being that she comes from a theatre background. She moved to New York City after graduating college in Scranton, Pennsylvania to pursue a life on stage. She made her Off-Broadway debut last spring and even wrote a song from the perspective of a character she once played. “It triggered a lot of things for me personally that I wouldn’t change or regret. But it definitely made me write from a more honest, less scared perspective,” she says of her time since moving to the city. Luckily for Lotz, she’s also been helped by her friends and fellow musicians that make up Petal. Ben Walsh plays guitar and drums and Brianna Collins plays bass and co-wrote The Fire for the album. Collins also offers incredible harmonies on the record, which is a major draw for listeners of Petal.

Shame is the culmination of everything Kiley Lotz has experienced and learned over the course of the last three years. Though the title of the record is Shame, it seems that Petal should be anything but when it comes to how they should feel about what they have accomplished as a band.
Venue Information:
Cedar Cultural Center
416 Cedar Ave S
Minneapolis, MN, 55454
http://www.thecedar.org/

ticinfo

Ticket options and info

PLEASE NOTE: Tickets are not always available at Depth of Field, Electric Fetus & The Cedar.

Check the top of this page under the “Buy Tickets” button for up-to-date ticket information.

  • Phone: 612-338-2674 ext 0 between 12 noon and 4pm M-F ($2 fee per ticket)
  • In person: Tickets can be purchased at The Cedar when we are open for shows. Check our calendar for show dates and door times  (no fee; cash, check, credit card). Our other ticket outlets are Depth of Field (no fee; cash or check only), and Electric Fetus (approximately $2 fee).
  • Online: (On Ticketfly, typically $2–$3 fee/ticket + $1 restoration fee) until 2 hours before door time on day of show
  • The Cedar is an all ages venue
  • Discounts: Students with ID, seniors over 65, and children under 12 may purchase tickets at a discount at the door (subject to ticket availability).
  • Access: The Cedar strives to make our facilities and programming available to as many community members as possible and will accommodate special requests to the best of our ability. To request special accommodations or seating at an upcoming Cedar show, please contact our box office at 612-338-2674 or info@thecedar.org.