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CHRISTINE LAVIN with Lonesome Dan Kase

  • The Cedar Cultural Center 416 Cedar Avenue South Minneapolis, MN, 55454 United States (map)

The Cedar and KFAI Present

CHRISTINE LAVIN with Lonesome Dan Kase

Friday Mar 8, 2019 / Doors: 7:00 PM / Show: 8:00 PM

All Ages

$22 Advance / $25 Day of Show

This is a seated show. General Admission tickets are available online, by phone, at Electric Fetus, and The Cedar during shows. 

She’s always written songs that can be poignant or funny (or both), but her sense of humor has been an irresistible force.
— Worcester Telegram


Christine Lavin is a singer/songwriter/guitarist/recording artist/author/videographer who has been working as a musician based in New York City since 1984. In 2017, she released her 23rd solo album, Spaghettification, which charted at #5 for the month of September 2017 on the International FolkDJ charts.

For four years she hosted "Slipped Disks" on XM Satellite Radio, playing CDs slipped to her backstage by compatriots, and she is now the occasional guest host for the City Folk Sunday Supper on WFUV-FM at Fordham University. She also writes freelance for various publications, including The Washington Post, Huffington Post, The St. Petersburg Times, The Performing Songwriter, The Finger Lakes Times, and Delta "Sky" Magazine.

The book The Pluto Files: The Rise and Fall of America’s Favorite Planet, written by Neil deGrasse Tyson, director of the Hayden Planetarium in NYC, includes the complete lyrics to Christine's song "Planet X," which details Pluto's history and planetary status debate. The book is published by W.W. Norton -- and Christine got a "D" in Astronomy in college (See kids? You CAN make up for the mistakes of your youth). She has appeared in concert with Neil deGrasse Tyson as part of his “Astronomers & Comedians” tour, and is fairly certain she is the first Astronomy D student to ever do so.

Christine hosts knitting circles backstage prior to each show. Her knitting circle at The Cedar will begin at 7pm. All yarn work is welcome (knitting, crocheting, tatting, quilting too) and there will be prizes. 

With a flurry of notes and dexterity on the guitar he broadcasts a confident individual blues style that proudly displays the hours of practice he spends on his craft.
— Bayfront Blues Festival


As a teenager growing up in rural southern Michigan, Lonesome Dan Kase happened upon a radio show called the “Blues Cruise,” broadcast out on Ann Arbor. Although he had picked up the guitar a year or so before, when he began hearing artists like Reverend Gary Davis and Robert Johnson, he quickly became hooked on the country blues.

Like many of the blues musicians from the early 1900’s that Lonesome Dan was listening to, he acquired a wander-lust and began traveling around the country busking on street corners. After spending time in California and New Mexico, Lonesome Dan ended up in Denver, Colorado where he started playing in coffee houses and drinking establishments. It was here he met Johnny Long, a blues player from St. Louis, whose deeply distinctive singing and guitar-picking style continues to be a big influence on Lonesome Dan’s music. While in Denver, Dan also played with a four- piece band called the 32-20 Jug Band. They played 1920’s and 30’s jug band music covering artists like Sleepy John Estes and The Cannon Jug Stompers.

In 2001, Lonesome Dan moved to Minneapolis, Minnesota and immediately began playing shows as a solo act. Within a year, he formed a band called the Crush Collision Trio with mandolin and washboard accompaniment by Matt Yetter and Mikkel Beckmen . They played a mixture of Dan’s originals and old country blues.

In 2005, Lonesome Dan met another musician who has been a significant influence on his playing. Dan had discovered the music of Paul Geremia, a blues musician from Rhode Island, while living in Denver. He was finally able to see one of Geremia’s live performances in St. Paul. After the show, Dan was able to sit down with Paul and absorb some of his musical knowledge. Through Paul Geremia, Kase was also introduced to some of the early R & B piano players like Joe Liggins and Charles Brown. Boogie-woogie and blues piano continue to play a big part in shaping the guitar technique of Lonesome Dan, and after years of listening to classic and folk ragtime piano, he has also begun transposing some of his favorite rags to guitar.

Lonesome Dan Kase recently released a new album "Hours Seem Like Days." It's his first album after a ten-year recording break, inspired by a deep admiration, observation, connection and love for shelter animals.