The Cedar Presents
SON LUX with alone-a
Wednesday, September 2, 2026 / Doors: 7:00 PM / Show: 7:30 PM
All Ages
Standing
This is a general admission standing room show. To request seating or other accommodations, please go to our Access Page.
For Cedar-presented shows, online ticket sales typically end at 6:30pm. Then, based on availability, tickets will be available at the door. $1.00 ticket fee applies at the door.
listen
ABOUT THIS SHOW
Son Lux strives to question assumptions about how music is made and construct their own from a molecular level, cultivating a musical language rooted in curiosity and balancing opposites. Over two decades, the band has released numerous recordings marked by raw emotional intimacy and meticulous electronic constructions, and performed at major venues and festivals globally.
Son Lux
Son Lux strives to question assumptions about how music is made and construct their own from a molecular level, cultivating a musical language rooted in curiosity and balancing opposites. Over two decades, the band has released numerous recordings marked by raw emotional intimacy and meticulous electronic constructions, and performed at major venues and festivals globally. Son Lux scored A24’s Best Picture winner Everything Everywhere All at Once, for which they were nominated for two Academy Awards and a BAFTA, as well as Marvel Studios Thunderbolts* (2025) and upcoming Your Mother Your Mother Your Mother (2026). This fall, Son Lux will release Out Into, their ninth studio album, and embark on a world tour.
alone-a
alone-a, the solo project of Minneapolis-based artist Alana Horton, explores memory and moment through vast tapestries of voice, digital delays, and rich signal processing. Every sound comes from her voice, run through a custom Max/MSP instrument she has developed with collaborators since 2018. Her debut album, a veil, a prism, was released April 3, 2026 on Bumpy Records. Built from live improvisations recorded in Minneapolis and Chicago, its nine tracks move between immersive ambient soundscapes and lyrical passages, fracturing and reshaping the voice into layered loops and processed textures.
"Crystalline vocals and pristine electronic movements... recall the shimmering instrumental sketches collected on Arthur Russell's First Thought Best Thought." — Spenser Tomson, The Wire Magazine
